翻訳と辞書
Words near each other
・ Michael Graziadei
・ Michael Graziano
・ Michael Greathouse
・ Michael Grecco
・ Michael Greco
・ Michael Greco (actor)
・ Michael Greco (American football)
・ Michael Green
・ Michael Green (agent)
・ Michael Green (Australian rules footballer)
・ Michael Green (basketball, born 1985)
・ Michael Green (cricketer)
・ Michael Green (cricketer, born 1951)
・ Michael Green (diplomat)
・ Michael Green (field hockey)
Michael Green (humorist)
・ Michael Green (New York lawyer)
・ Michael Green (painter and sculptor)
・ Michael Green (physicist)
・ Michael Green (political expert)
・ Michael Green (radio)
・ Michael Green (soccer)
・ Michael Green (sprinter)
・ Michael Green (tennis)
・ Michael Green (theologian)
・ Michael Green (writer)
・ Michael Greenbaum
・ Michael Greenberg
・ Michael Greenberg (economist)
・ Michael Greenberg (lawyer)


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Michael Green (humorist) : ウィキペディア英語版
Michael Green (humorist)

Michael Green (born 2 January 1927 in Leicester, England) is a British journalist and author of humorous books. He is best known for ''The Art of Coarse Rugby'', ''The Art of Coarse Acting'' and other books with similar titles.
==Career==
Green began his career as a junior journalist on the ''Leicester Mercury''. He later joined the ''Northampton Chronicle and Echo'', where he worked on both the sporting and theatrical fronts, then the ''Birmingham Gazette'' as a sub-editor. Later he was a sports writer on ''The Observer'' and a contributor to the ''Sunday Times'', among others.
''The Art of Coarse Rugby'', which became a best-seller in 1960, and ''The Art of Coarse Acting'' were both products of his Midlands days, when he was involved with amateur rugby and dramatics. Green was commissioned to write ''The Art of Coarse Rugby'' by Hutchinson, to go with a republication of ''The Art of Coarse Cricket'' by Spike Hughes, who had intended the title as a play on ''Coarse Fishing''. Green describes a coarse actor as "one who can remember his lines, but not the order in which they come. One who performs ... amid lethal props..." and goes on: "The Coarse Actor's aim is to upstage the rest of the cast. His hope is to be dead by Act Two so that he can spend the rest of his time in the bar. His problems? Everyone else connected with the production." In similar vein, the coarse rugby player is described as differentiated from the rugger player in that he does not enjoy playing, but instead plays for any one of a number of other reasons, such as to get away from his wife, or because he dare not admit he is too old. Other books in the series followed, and ''The Art of Coarse Moving'' subsequently became the 1977 BBC TV series A Roof Over My Head with Brian Rix.
His book about journalism, ''Don't Print My Name Upside Down'', was based largely on his Northampton days. Stanley Worker, the paper's long-serving chief sub-editor, was so proud of references to him in the book that he kept a copy in his desk drawer to peruse with quiet satisfaction during rare lulls in his working day. Green also published two autobiographical books: ''The Boy Who Shot Down an Airship'', which includes reminiscences about his National Service experiences, and ''Nobody Hurt in Small Earthquake'', about his postwar journalist and sub-editor experiences in Northampton, Birmingham and London.
He also created and wrote the character of Squire Haggard for a newspaper column written by Peter Simple, subsequently a novel and the ''Haggard'' TV series 1990–92 on ITV. He has created three Coarse Acting Shows, two of which were performed at the Edinburgh Festival in 1977 and 1979; these are essentially a series of sketches about bad acting. ''Tonight Josephine'' is a book of amusing imaginary letters written by historical figures.
Green is famous for his zany and slightly eccentric behaviour. Members of the Masque Theatre in Northampton were able to recall Green's antics in minute detail many years (decades?) after his departure, and the ''Northampton Chronicle'' office was awash with Green stories, all on the theme of good intentions leading to all-round chaos. At the ''Leicester Mercury'' he was firewatching one night with Maurice Barsby. Maurice said when looking at the huge printing presses in the basement "I know how these things work …” Michael said "Go on, then". He pulled the main switches and Maurice pressed the button. The press started but not gradually, and the enormous reel of paper broke and spewed into the machine-room. So there was no midnight edition of the Mercury, and as the presses did not stop when the button was pressed they had to switch off at the mains. Next day Michael was questioned and then sacked, but not Maurice. Green admits that he "had a reputation for playing the fool." The overnight firewatching job was unpopular, except with lads of 16 or 17 who were too young to be called up; they could drink brown ale, use the typewriters and telephones and smoke the editor’s cigars (leaving burns in the carpet).

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Michael Green (humorist)」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.